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 Publications

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Journal - International

• Wyse, Lonce. An Audio Texture Lutherie, in ISSUE; Arrhythmia [special volume] Annual Art Journal, 43:54, 2022.
• Huzaifah bin Md Shahrin, M., Wyse, L. (published Feb. 2019) Applying visual domain style transfer and texture synthesis techniques to audio: insights and challenges. Neural Comput & Applic 32, 1051-1065 (2020), Special issue on deep learning for music and audio. https://doi.org/10.1007/s00521-019-04053-8 or here, with sound examples.
• S. Fasciani and L. Wyse. Vocal control of sound synthesis personalized by unsupervised machine listening and learning, Computer Music Journal, 24:1, 2018
• L. Wyse and J. Yew, "A Real-time Score for Collaborative Just-In-Time Composition," Organized Sound, vol. 19, no. 3, 2014.
• S. Fasciani and L. Wyse, One at a Time by Voice: Performing with the Voice-­Controlled Interface for Digital Musical Instruments, in eContact! 16:2, 2014.
• L. Wyse and S. K. Subramanian, "The Viability of the Web Browser as a Computer Music Platform," Computer Music Journal, vol. 37, no. 4, pp. 10-23, 2013.
• A. Schirmer, Y. H. Soh, T. Penney, and L. Wyse, "Perceptual and conceptual priming of environmental sounds," Journal of Cognitive Neuroscience, vol. 23, no. 11, pp. 3241-53, 2011.
• S. Nanayakkara, E. Taylor, L. Wyse, and S. H. Ong, "Enhancing musical experience for the hearing-impaired using visual & haptic inputs," Human-Computer Interaction, vol. 28, pp. 115-160, 2013.
• X. Zhu, G. T. Beauregard, and L. L. Wyse, "Real-Time Signal Estimation From Modified Short-Time Fourier Transform Magnitude Spectra," IEEE Trans. Audio Speech Lang. Process., vol. 15, no. 5, pp. 1645-1653, Jul. 2007.
• M. Rajapakse, L. Wyse, and V. Brusic, "Deriving Matrix of Peptide-MHC Interactions in Diabetic Mouse by Genetic Algorithm," in Intelligent Data Engineering and Automated Learning, vol. 3578, 2005, pp. 440-447.
• S. Grossberg, K. Govindarajan, L. Wyse, and M. Cohen, "ARTSTREAM: a neural network model of auditory scene analysis and source segregation," Neural Networks, vol. 17, no. 4, pp. 511-536, May 2004.
• L. Wyse, "Free music and the discipline of sound," Organised Sound, vol. 8, no. 03, pp. 237-247, Apr. 2004.
• L. Wyse and P. Kellock, "Embedding interactive sounds in multimedia applications," Multimedia Systems, vol. 7, no. 1, pp. 48-54, Jan. 1999.
• M. Cohen, S. Grossberg, and L. Wyse, "A spectral network model of pitch perception," J. Acoust. Soc. Am., vol. 98, no. 2, pp. 862-879, 1995.
• S. Grossberg and L. Wyse, "A neural network architecture for figure-ground separation of connected scenic figures," Neural Networks, vol. 4, no. 6, pp. 723-742, 1991.

Conference Papers - International

• Kamath, P., Li, Z., Gupta, C., Jaidka, K., Nanayakkara, S., & Wyse, L. (2023). An Example-Based Framework for Perceptually Guided Audio Texture Generation. ACM Multimedia
• Gupta, C., Kamath, P., Wei, Y.Z, Li Z., Nanayakkara, S., Wyse, L. (2023). Towards. Controllable Audio Texture Morphing. International Conference on Acoustics, Speech, and Signal Processing (ICASSP)
• Kamath, P., Li, Z., Gupta, C., Jaidka, K., Nanayakkara, S., & Wyse, L. (2023). Evaluating Descriptive Quality of AI-Generated Audio Using Image-Schemas. In Proceedings of the 28th International Conference on Intelligent User Interfaces (pp. 621-632).
• Wyse, L., & Ravikumar, P. T. (2022). Syntex: parametric audio texture datasets for conditional training of instrumental interfaces. NIME 2022.
• C Gupta, Y Wei, Z Gong, P Kamath, Z Li, L Wyse (2022). Parameter Sensitivity of Deep-Feature based Evaluation Metrics for Audio Textures
• Wyse, L., Kamath, P., Gupta, C. (2022). Sound Model Factory: An Integrated System Architecture for Generative Audio Modelling. In: Martins, T., Rodríguez-Fernández, N., Rebelo, S.M. (eds) Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2022. Lecture Notes in Computer Science, vol 13221. Springer, Cham.
• Gupta, C., Kamath, P., Wyse, L. (2021) Signal Representations for Synthesizing Audio Textures with Generative Adversarial Networks. In Proceedings of the 18th Sound and Music Computing Conference. 29 June-1 July, 2021.
• Wyse, L., Shahrin, Md. H. (2020). Deep learning models for generating audio textures. In the Proceedings of the 2020 Joint Conference on AI Music Creativity. Stockholm, Sweden, October 19-23, 2020.
• Wyse, L., & Huzaifah, M. (2020). Audio textures in terms of generative models . In Proceedings of the 13th International Workshop on Machine Learning and Music (pp. 36-40).
• Wyse, L., Shahrin, Md. H. (2019). Conditioning a Recurrent Neural Network to synthesize musical instrument transients. In Proceedings of the Sound and Music Computing Conference Malaga, Spain.
• Wyse, L., (2019). Mechanisms of Artistic Creativity in Deep Learning Neural Networks. In Proceedings of the International Conference on Computational Creativity. Charlotte, NC, USA. June, 2019.
• Ravikumar, P.T., Wyse, L. (2019). MASSE: A system for music action selection through state evaluation. In Proceedings of the International Conference on Computational Creativity. Charlotte, NC, USA. June, 2019.
• Wyse, L. (2018) Real-valued parametric condition of an RNN for interactive sound synthesis. In Proceedings of the Proceedings of the 6th International Workshop on Musical Metacreation, ACM Conference on Computational Creativity. Salamanca, Spain, June, 2018.
• Ravikumar, P.T., McGee, K., & Wyse, L. (2018) Back to the Experiences: Empirically Grounding the Development of Musical Co-creative Partners in Co-experiences. In Proceedings of the Proceedings of the 6th International Workshop on Musical Metacreation , ACM Conference on Computational Creativity. Salamanca, Spain, June, 2018
• 5. Chen, Q., Perrault, S. T., Roy, Q., and Wyse, L. (2018) Effect of Temporality, Physical Activity and Cognitive Load on Spatiotemporal Bivrotactile Pattern Recognition. In Proceedings the International Conference on Advanced Visual Interfaces (AVI2018). Grosseto, Italy. 29 May - 1 June, 2018.
• L.Wyse. Audio Spectrogram representations for processing with Convolutional Neural Networks, in Proceedings of the First International Workshop on Deep Learning and Music joint with IJCNN. Anchorage, US. 1(1). pp 37-41 (2017). arXiv:1706.09559v1
• Mitchell, A., Yew, J., Thattai, P., Loh, B., Ang, B., Wyse, L., The Temporal Window: Explicit Represntation of Future Actions in Improvisational Performances in the Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition, 28-38.
• Nanyakkara, S., Schroepfer, T., Wyse, L., Lian, A., Withana, A. SonicSG: From Floating to Sounding Pixels, in the Proceedings of the 8th Augmented Human International Conference, ACM. pg 21.
• Wyse, L. (2015, January). Spatially distributed sound computing and rendering using the web audio platform. in the 1st Web Audio Conference, Paris.
• Pendharkar, C., Bäck, P., & Wyse, L. (2015). A Dynamic Audio Experience creation platform in Web Audio, in the 1st Web Audio Conference, Paris.
• Pendharkar, C., Bäck, P., & Wyse, L. (2015). Adventures in scheduling, buffers and parameters: Porting a dynamic audio engine to Web Audio, in the 1st Web Audio Conference. Paris.
• Beauregard, G., M. Harish and L. Wyse, Single Pass Spectrogram Inversion, in Proceedings of the 2015 IEEE International Conference on Digital Signal Processing (2015) , Singapore.
• Wyse, L., Spatially Distributed Sound Computing and Rendering Using the Web Audio Platform, in Proceedings of the 1st Web Audio Conference (2015). Paris: CEUR. (1st Web Audio Conference, 26 - 28 Jan 2015, IRCAM & Mozilla, Paris, France)
• Pendharkar, C., P. Back and L. Wyse, Adventures in scheduling, buffers and parameters: Porting a dynamic audio engine to Web Audio, in Proceedings of the 1st Web Audio Conference (2015). Paris: CEUR. (1st Web Audio Conference, 26 - 28 Jan 2015, IRCAM & Mozilla, Paris, France)
• Pendharkar, C., P. Back and L. Wyse, A Dynamic Audio Experience creation platform in Web Audio, in Proceedings of the 1st Web Audio Conference (2015) . Paris: CEUR. (The 1st Web Audio Conference, 26 - 28 Jan 2015, IRCAM & Mozilla, Paris, France)
• L. Wyse, "Interactive Audio Web Development Workflow," in Proceedings of the 22nd ACM International Conference on Multimedia, Orlando, Florida, 2014.
• L. Wyse, "States of Diffusion for n+1 Devices," in Proceedings of the 22nd ACM International Conference on Multimedia, Orlando, Florida, 2014.
• L. Wyse and P. Shinghal, "Sonicbard - Storytelling With Real-Time Sound Control, Synthesis And Processing Using Emerging Browser-Based Technologies," in Proceedings of International Computer Music Conference, Perth, Australia, 2013.
• S. Fasciani and L. Wyse, "A Self-Organizing Gesture Map for a Voice-Controlled Instrument Interface," in Proceedings of the 13th International Conference on New Interfaces for Musical Expression, Seoul, Korea, 2013.
• L. Wyse, S. Nanayakkara, P. Seekings, S. H. Ong, and E. A. Taylor, "Palm-area sensitivity to vibrotactile stimuli above 1 kHz," in Proceedings of the 12th International Conference on New Interfaces for Musical Expression, Ann Arbor. MI, 2012.
• L. Wyse and S. Subramanian, "Foundations of interactive sound design for traditional storytelling," in Proceedings of the International Computer Music Conference, Ljubjana, Slovenia, 2012.
• S. Subramanian, L. Wyse, and K. McGee, "A Two-component representation for modeling gamakas of Carnatic music," in Proceedings of the 2nd CompMusic Workshop, Besiktas, Istanbul, 2012.
• S. Nanayakkara, L. Wyse, and E. Taylor, "The Haptic Chair as a Speech Training Aid for the Deaf," in Proceedings of OzCHI, Melbourne Australia, 2012.
• S. Nanayakkara, L. Wyse, and E. A. Taylor, "Effectiveness of the Haptic Chair in Speech Training," in Proceedings of the 14th International Conference on Computers and Accessibility, Boulder, CO, USA, 2012.
• S. Fasciani and L. Wyse, "Adapting general purpose interfaces to synthesis engines using unsupervised dimensionality reduction techniques and inverse mapping from features to parameters," in Proceedings of the 2012 International Computer Music Conference, Ljubjana, Slovenia, 2012.
• S. Fasciani and L. Wyse, "A voice interface for sound generators: adaptive and automatic mapping of gestures to sound," in Proceedings of the 12th International Conference on New Interfaces for Musical Expression, Ann Arbor, MI, 2012.
• L. Wyse and K. Tan, "Representing and Automating Rhythmic Pattern Transformations," in Proceedings of the International Computer Music Conference, Huddersfield, UK, 2011.
• L. Wyse, S. Nanayakkara, and N. Mitani, "Biases and interaction effects in gestural acquisition of auditory targets using a hand-held device," in Proceedings of OZCHI 2011, Canberra, Australia, 2011.
• L. Wyse, N. Mitani, and S. Nanayakkara, "The effects of visualizing audio targets in a musical listening and performance task," in Proceedings of the International Conference on New Interfaces for Musical Expression, Oslo, Norway, 2011.
• B. Sudarshan and L. Wyse, "Computer Mediated Visual Communication in Live Musical Performance: What’s the Score?," in Proceedings of the Second International ICST Conference on Arts and Technology, Esbjerg, Denmark, 2011.
• S. Subramanian, L. Wyse, and K. McGee, "Modeling Speed Doubling in Carnatic Music," in Proceedings of the International Computer Music Conference, Huddersfield, UK, 2011.
• L. Wyse and D. D. Nguyen, "Instrumentalizing Synthesis Models," in Proceedings of the International Conference on new interfaces for Musical Expression, Sydney, Australia, 2010.
• N. Osaka, S. Shin, and L. Wyse, "Founding of the Asia Computer Music Project," presented at the International Computer Music Conference - the "Unconference," New York, 2010.
• T. Merritt, K. W. Kow, C. N. Ng, K. McGee, and L. Wyse, "Who Makes What Sound? Supporting real-time musical improvisations of electroacoustic ensembles," in Proceedings of OZCHI 2010, QUT, Brisbane, Australia, 2010.
• L. Wyse and N. Mitani, "Bridges for Networked Musical Ensembles," in Proceedings of the International Computer Music Conference, Montreal, Canada, 2009.
• S. Nanayakkara, E. Taylor, L. Wyse, and S. H. Ong, "An enhanced musical experience for the deaf," in Proceedings of the 27th International Conference on Human Factors in Computing Systems, Boston, MA, USA, 2009, p. 337.
• N. Mitani and L. Wyse, "Information sharing in a networked music application," in Proceedings of the Australasian Computer Music Conference, Brisbane, Australia, 2009.
• S. Nanayakkara, E. A. Taylor, L. Wyse, and S. H. Ong, "Towards building an experiential music visualizer," presented at the 6th International Conference on Information, Communications and Signal Processing, Singapore, 2007.
• E. Glinert and L. Wyse, "AudiOdyssey: an accessible video game for both sighted and non-sighted gamers," in Proceedings of the 2007 conference on Future Play, 2007, pp. 251-252.
• X. Zhu, G. T. Beauregard, and L. Wyse, "Real-time iterative spectrum inversion with look-ahead," in Proceedings of the 2006 IEEE International Conference on Multimedia and Expo, 2006, pp. 229-232.
  [Sound examples are here]
• L. Wyse, "Real-time synchronization of independently controlled phasors," in Proceedings of the International Computer Music Conference, November, New Orleans, Louisiana, USA, 2006.
• C. Pendharkar, M. Gurevich, and L. Wyse, "Parameterized morphing as a mapping technique for sound synthesis," in Proc. of the Int. Conf. on Digital Audio Effects (DAFx-06), Montreal, Quebec, Canada, 2006, pp. 45-48.
• L. Wyse, "Generative Sound Models," in Proceedings of the 11th IEEE International Multimedia Modelling Conference, Melbourne, 2005, pp. 370-377.
• M. Rajapakse and L. Wyse, "Generic Audio Classification Using a Hybrid Model Based on GMMs and HMMs," in Proceedings of the Multimedia Modeling Conference, Melbourne, Australia, 2005.
• G. Beauregard, X. Zhu, and L. Wyse, "An efficient algorithm for real-time spectrogram inversion," in Proceedings of the 8th International Conference on Digital Audio Effects, Madrid, Spain, 2005, pp. 116-118.
  [Sound examples are here]
• X. L. Zhu and L. Wyse, "Sound texture modeling and time-frequency LPC," in Proceedings of the 7th International Conference on Digital Audio Effects, Naples, Italy, 2004, pp. 345-349.
• L. Wyse, "Contour Hierarchies, Tied Parameters, Sound Models and Music," in Proceedings of the International Computer Music Conference, Florida, USA, 2004.
• L. Wyse, Y. Wang, and X. Zhu, "Application of a content-based percussive sound synthesizer to packet loss recovery in music streaming," in Proceedings of the eleventh ACM international conference on Multimedia, Berkeley, CA, 2003, p. 338.
  [Sound examples are here]
• L. Wyse, "A Sound Modeling and Synthesis System Designed for Maximum Usability," in Proceedings of the 29th International Computer Music Conference, Singapore, 2003, p. 447.
  [Here are the ppt slides from the talk.]
• M. Rajapakse and L. Wyse, "NMF vs ICA for face recognition," in Proceedings of the 3rd International Symposium on Image and Signal Processing and Analysis, 2003, vol. 2, pp. 605-610 Vol.2.
• M. Rajapakse and L. Wyse, "Face Recognition with Non Negative Matrix Factorization," in Proceedings of the Third International Symposium on Image and Signal Processing and Analysis, Rome, Italy, 2003.
• W. Huang, S. Lau, T. Tan, L. Li, and L. Wyse, "Audio events classification using hierarchical structure," in Proceedings of the Joint Conference of the Fourth International Conference on Information, Communications and Signal Processing, and the Fourth Pacific Rim Conference on Multimedia, Singapore, 2003, vol. 3, pp. 1299-1303 vol.3.
• P. Gao, E. Chang, and L. Wyse, "Blind separation of fetal ECG from single mixture using SVD and ICA," in Proceedings of the Fourth Pacific Rim Conference on Multimedia, 2003, vol. 3, pp. 1418-1422 vol.3.
• L. Wyse and S. Smoliar, "Toward Content-Based Audio Indexing and Retrieval," in Proceedings of the International Joint Conference on Artificial Intelligence, Montréal, Canada, 1995.
• L. Wyse, "Flexible Sound Effects," in Proceedings of the International Computer Music Conference, Thessaloniki, Greece, 1997.
• L. Wyse, "Some Whats and Wheres about CSound," ARRAY Int. Comput. Music Assoc., 1996.
• S. Grossberg, K. Govindarajan, L. Wyse, and M. Cohen, "A Neural Model of Auditory Scene Analysis and Source Segregation," presented at the The 130th Meeting of the Acoustical Society of America, St. Louis, 1995.
• M. A. Cohen, S. Grossberg, and L. Wyse, "A Neural Network for Synthesizing the Pitch of an Acoustic Source," in Proceedings of the International Joint Conference on Neural Networks, 1992, vol. 4, pp. 649-654 vol.4.
• M. Cohen, S. Grossberg, and L. Wyse, "Harmonic Weighting Functions in a Neural Network Model of Pitch Detection and Representation," in Proceedings of the International Joint Conference on Neural Networks, Beijing, China, 1992.
• S. Grossberg and L. Wyse, "Invariant Recognition of Cluttered Scenes by a Self-organizing ART Architecture: Figure-Ground Separation," in Proceedings of the International Joint Conference on Neural Networks, Seattle, Washington, 1991.
• S. Grossberg and L. Wyse, "Automatic Figure-Ground Separation by an Iterated Boundary Segmentation and Filling-in Network," in Proceedings of the Wang Institute Neural Network Conference, 1990.

Book Chapters

• Altman, E. and Wyse, L. Emergent Semantics from Media Blending. In Srinivasan and Nepal (Eds.) Managing Multimedia Semantics. The Idea Group Inc. 2004.
• L. Wyse and Steven W. Smoliar, Toward Content-Based Audito Indexing and Retrieval and a New Speaker Discrimination Technique. In Hiroshi G.Okuno David Rosenthal (Eds.) Computational Auditory Scene Analysis, Workshop at the International Joint Conference on Artificial Intelligence, Montreal, Canada. Erlbaum, August, 1995.
• S. Grossberg and L. Wyse, Figure-Ground Separation of Connected Scenic Figures: Boundaries, Filling in and Opponent Processing. In G.A. Carpenter and S.Grossberg (Eds.) Neural Networks for Vision and Image Processing. Cambridge, MA: MIT Press, 1992.

Other

• L. Wyse (Invited Guest Editor), Multimedia Systems Journal; Special Issue on Audio and Multimedia. Association for Computing Machinery (ACM), 1997
• L. Wyse, Description for Non-Speech, Non-Note-Music Audio. Slides from a plenary talk at an MPEG-7 plenary meeting in Tokyo, 1998